![]() ![]() Statham’s shtick, often brilliantly subverted for comic effect (see: Spy), was also wearing thin when broadened out (see: The Meg), while Ritchie’s initial vigor had dulled with each project bigger than the last, with the anyone-could-have-directed-this anonymity of Aladdin feeling like a tipping point. But the simultaneously steep ascents came at a price.
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